Friday, February 25, 2011
Monday, February 21, 2011
Saturday, February 19, 2011
@ Getty
Getty Museum exhibit GODS OF ANGKOR: Bronzes from the National Museum of Cambodia, February 22- August 14, 2011, at the J. Paul Getty Museum, Getty Center, Los Angeles, CA.
Cambodia is renowned for the extraordinary art produced during the Angkor period of the Khmer empire, between the ninth and the fifteenth centuries, when sculptors mastered the art of bronze casting and created profound images of Hindu and Buddhist divinities. A focused exhibition of loans from the National Museum of Cambodia in Phnom Penh, Gods of Angkor includes some of the finest Cambodian bronzes in existence as well as a small group of bronzes from the pre-Angkor period and some recently excavated works. It also celebrates the establishment of a bronze conservation studio at the National Museum of Cambodia and that institution's role in conserving Cambodia's cultural heritage.
The exhibit will include a Family Festival, on June 4, which includes several Long Beach local Cambodian performances and organizations.
Cambodia is renowned for the extraordinary art produced during the Angkor period of the Khmer empire, between the ninth and the fifteenth centuries, when sculptors mastered the art of bronze casting and created profound images of Hindu and Buddhist divinities. A focused exhibition of loans from the National Museum of Cambodia in Phnom Penh, Gods of Angkor includes some of the finest Cambodian bronzes in existence as well as a small group of bronzes from the pre-Angkor period and some recently excavated works. It also celebrates the establishment of a bronze conservation studio at the National Museum of Cambodia and that institution's role in conserving Cambodia's cultural heritage.
The exhibit will include a Family Festival, on June 4, which includes several Long Beach local Cambodian performances and organizations.
Wednesday, February 16, 2011
Sunday, February 13, 2011
Portfolio Project
Due date: February 17--Presentations begin.
Portfolio should consist of:
1. An artist statement
2. A biography or resume
3. 15-20 images of your artworks
4. A checklist of the images (optional)
5. A cover letter (optional).
Portfolio should consist of:
1. An artist statement
2. A biography or resume
3. 15-20 images of your artworks
4. A checklist of the images (optional)
5. A cover letter (optional).
Thursday, February 10, 2011
Monday, February 7, 2011
MOLAA
On Sunday, February 20, 2011, MOLAA celebrates African contributions to Latin American culture at our free annual Afro-Latino Festival which will include art workshops, face painting and performances by local artists. Cuban dancer and choreographer Kati Hernandez will lead her troupe in performances of Afro-Cuban Rumba and Comparsa, Jarocho group Son L@s Cafeter@s will present the Afro-Mexican musical flair of Veracruz and Matalache, directed by Karen Menacho, presents Afro-Peruvian dances to the beat of live musicians.
Museum of Latin American Art
628 Alamitos Avenue
Long Beach, CA 90802
(562) 437-1689
www.molaa.org
Sunday, February 20, 2011
12:00 – 4:00pm
Free Admission
Sponsored by Target
Susan Golden, 562.216.4117, sgolden@molaa.org
Martha Guzman, 562.216.4118, mguzman@molaa.org
Museum of Latin American Art
628 Alamitos Avenue
Long Beach, CA 90802
(562) 437-1689
www.molaa.org
Sunday, February 20, 2011
12:00 – 4:00pm
Free Admission
Sponsored by Target
Susan Golden, 562.216.4117, sgolden@molaa.org
Martha Guzman, 562.216.4118, mguzman@molaa.org
Thursday, February 3, 2011
The Cure - A Forest
"A Forest" is a single by the British rock band The Cure, released on April 8, 1980 as the only single from their second album Seventeen Seconds.
The lyrics tell a vague story about a man looking for a girl in a forest. He hears her calling for him, and as he chases her, he suddenly stops and realizes that he is lost and that the girl is not there. The song is fairly upbeat compared to the other material on the album, and Lol Tolhurst's machine-like steady beat together with Simon Gallup's minimalistic bassline gives this nervous chase more depth and keeps the song on the edge of a frantic groove until the end.
The lyrics tell a vague story about a man looking for a girl in a forest. He hears her calling for him, and as he chases her, he suddenly stops and realizes that he is lost and that the girl is not there. The song is fairly upbeat compared to the other material on the album, and Lol Tolhurst's machine-like steady beat together with Simon Gallup's minimalistic bassline gives this nervous chase more depth and keeps the song on the edge of a frantic groove until the end.
Visit to Culver City Galleries
See you at Cardwell Jimmerson Gallery at 11 AM, Friday, February 4...
Wednesday, February 2, 2011
Duende: Passion/ Black sounds
http://en.wikipedia.org/wiki/Duende_%28art%29
Sleepwalker's Ballad
Green, how I love you green.
Green wind. Green branches.
The ship upon the sea
the horse on the mountain.
With her waist in shadows
she dreams on her balcony,
green flesh, green hair...
--Federico Garcia Lorca
Entire poem: Sleepwalker's Ballad
Further reading on the theory of Duende
A book regarding Duende and the arts
Sleepwalker's Ballad
Green, how I love you green.
Green wind. Green branches.
The ship upon the sea
the horse on the mountain.
With her waist in shadows
she dreams on her balcony,
green flesh, green hair...
--Federico Garcia Lorca
Entire poem: Sleepwalker's Ballad
Further reading on the theory of Duende
A book regarding Duende and the arts
Tuesday, February 1, 2011
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