Sunday, July 8, 2012
Monday, February 20, 2012
Thursday, November 10, 2011
Tuesday, October 18, 2011
Tuesday, September 6, 2011
Friday, August 19, 2011
Sunday, July 17, 2011
Monday, May 23, 2011
What's going on with our show?
Our gallery is cleared and ready for installation for our Strange Contraptions show, but where are the artworks???
Friday, May 13, 2011
Thursday, May 5, 2011
Chinatown Galleries


We are meeting at The Company to begin our exploration of Chinatown Galleries.
Address:
THE COMPANY
955 Chung King Road
Los Angeles, CA 90012
T: 213-625-1008
E: info@thecompanyart.com
http://www.thecompanyart.com/
There is free parking on the tail end of Yale Street north of College Street. It runs parallel to Broadway and Hill (see map above).
Tuesday, May 3, 2011
Strange Contraptions Statement
Strange Contraptions
We imagine and we conceive, yet at times our ideas may stray so far from our original intention that it may morph and evolve well beyond the fringes of "normalcy." How much does our attitude of "play" contribute to our art making, and how far can we go when we lose ourselves in reverie? Strange Contraptions examines the superfluous narrative of construction, as in a Rube Goldberg machine--the visual layers, or strategies, that make up a process. The work(s) in this exhibition carry the attitude and aesthetic of complexity as well as simplicity regarding design, and communicates to the viewer the raw and inventive motion of our streaming imagination.
We imagine and we conceive, yet at times our ideas may stray so far from our original intention that it may morph and evolve well beyond the fringes of "normalcy." How much does our attitude of "play" contribute to our art making, and how far can we go when we lose ourselves in reverie? Strange Contraptions examines the superfluous narrative of construction, as in a Rube Goldberg machine--the visual layers, or strategies, that make up a process. The work(s) in this exhibition carry the attitude and aesthetic of complexity as well as simplicity regarding design, and communicates to the viewer the raw and inventive motion of our streaming imagination.
Saturday, April 30, 2011
Friday, April 29, 2011
Thursday, April 28, 2011
Tuesday, April 26, 2011
Merijn Bolink
http://www.merijnbolink.com/

Untitled (winnower (agricultural device))---1995---two winnowers of which one has been grinded completely and reshaped into app. 2000 wooden grains and 120 metal vessels---120 x 170 x 65 cm---collection of the artist

Untitled (winnower (agricultural device))---1995---two winnowers of which one has been grinded completely and reshaped into app. 2000 wooden grains and 120 metal vessels---120 x 170 x 65 cm---collection of the artist
Monday, April 25, 2011
VISION
Thursday, April 21, 2011
Friday, April 15, 2011
Thursday, April 14, 2011
Wednesday, April 13, 2011
Strange Contraptions: Thesis Statement
We need a thesis statement for our show. This is my proposal.
Strange Contraptions (*rough draft*)
We imagine and we conceive, yet at times our ideas may stray so far from our original intention that it may morph and evolve well beyond the fringes of "normalcy." How much does our attitude of "play" contribute to our art making, and how far can we go when we lose ourselves in reverie? Strange Contraptions examines the superfluous narrative of construction, as in a Rube Goldberg machine--the visual layers, or strategies, that make up a process. The work(s) in this exhibition carry the attitude and aesthetic of complexity over simplicity regarding design, and communicates to the viewer the raw and inventive motion of our streaming imagination.
Strange Contraptions (*rough draft*)
We imagine and we conceive, yet at times our ideas may stray so far from our original intention that it may morph and evolve well beyond the fringes of "normalcy." How much does our attitude of "play" contribute to our art making, and how far can we go when we lose ourselves in reverie? Strange Contraptions examines the superfluous narrative of construction, as in a Rube Goldberg machine--the visual layers, or strategies, that make up a process. The work(s) in this exhibition carry the attitude and aesthetic of complexity over simplicity regarding design, and communicates to the viewer the raw and inventive motion of our streaming imagination.
Tuesday, April 12, 2011
Brian Gyson's Dream Machine
the dream machine from Brian Gyson was a 78 turn table with a tube placed on top of it that had cut outs and in the middle of the 78 record player turn table was a light bulb. Gyson died in 1986 alone and in poverty in Paris (we should all be so lucky!) He was an artist and co- conspirator with William Burroughs and gave the concept of cut - ups to Burroughs as a gift.
Monday, April 11, 2011
a few thoughts from robot victor
object width="504" height="312">
question
so I guess what is running through my head is - how to bring in (curate) items that not only fall under the title of "Strange Contraptions" but how "We" as students can realistically obtain the ideal item and guarantee its delivery and safe return (logistics) and doing so with zero money and with the given of this is a one night only show - (what is available for one night - that can be obtained and set up in a gallery) two artist I have contacted - well - it appears that this concept is not in their financial interest. On the other hand - it would be a positive step forward for a student here or beginning artist. Exactly - what can we gallery students can identifyto bring in to the gallery ? I see a lot of great definitions but what can be presented as concrete and realistic to put on display?
Contraption (definition of)
2 definitions that I found for CONTRAPTION:
1)Contraption (noun) -a mechanical contrivance; gadget; device.
2) Contraption (noun) - a machine or device that appears strange or unnecessarily complicated, and often badly made or unsafe.
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Some Background information:
—Related forms
con·trap·tious, adjective
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